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Les Musiciens et la Grande Guerre vol. 10
After World War 1 the well-known pianist Paul Wittgenstein, who lost his right arm in action, commissioned a series of concertos from a number of composers (Richard Strauss, Sergueï Prokofiev, Franz Schmidt…), among them the famous concerto for the left hand by Ravel. Two others, although rarely played, are twentieth-century masterpieces: a surprising (and exuberant!) concerto by Korngold (1923), and Diversions by Britten (1940), a piece comprising a theme with 11 variations, full of life and lyricism.
Orchestre national de Lille
Nicolas Stavy, piano
Paul Polivnick, direction
HORTUS 710
T.T.
57'07
1 CD
DDD
© 2014
15,00 €
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By the same composer
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Diversions |
Detailed program | ||
HORTUS 710 | CD DDD ℗ Hortus 2014 | T.T. 57'07 | ||
Benjamin Britten (1913-1976) | ||
Diversions | ||
pour piano main gauche et orchestre | ||
1. | Thème | 1'14 |
2. | Variation 1 : Récitatif | 1'51 |
3. | Variation 2 : Romance | 1'30 |
4. | Variation 3 : Marche | 1'18 |
5. | Variation 4 : Arabesque | 1'52 |
6. | Variation 5 : Chant | 2'41 |
7. | Variation 6 : Nocturne | 2'13 |
8. | Variation 7 : Badinerie | 1'33 |
9. | Variation 8 : Burlesque | 1'58 |
10. | Variation 9 : Toccata I | 0'47 |
11. | Variation 9 : Toccata II | 2'13 |
12. | Variation 10 : Adagio | 4'30 |
13. | Finale : Tarentelle | 2'37 |
Erich Wolfgang Korngold (1897-1957) | ||
Concerto pour piano (main gauche) en ut dièse op. 17 | ||
14. | I. Mässiges Zeitmass | 3'28 |
15. | II. Ruhig, weich und gesangvoll | 2'56 |
16. | III. Wie im letzten Takt | 2'18 |
17. | IV. Dasselbe breite Zeitmass | 5'49 |
18. | V. Reigen, Sehr mässige ga nze Takte | 2'12 |
19. | VI. Sehr ruhig, viel langsamer | 2'58 |
20. | VII. Mit Grösse, sehr breit | 3'37 |
21. | VIII. Ganz langsam beginnend | 1'23 |
22. | IX. Langsam, fast im let zten Zeitmass | 3'08 |
23. | X. Mit Schwung und Begei sterung | 2'41 |