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Liszt ou la tentation de l'universalité
Doing away with borders and, more generally, with limits seems to lie at the core of Franz Liszt’s life and works. His relationships with the music of his predecessors and contemporaries, or the frequent bridges between his work and literature, inform a decidedly all-encompassing perception of this precocious European. So it is with the four major pieces brought together in this volume which – particularly through the recurrent use of borrowed thematic material (Bach, Allegri, Mozart, Meyerbeer) – give a foretaste of his intention to fold his work into an intemporal and unified music.
Thomas Monnet, orgue
HORTUS 401
T.T.
72'05
1 CD
DDD
© 2015
15,00 €
In the same series
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HORTUS 402 |
| Jacques Lemmens, o... | |
By the same composer
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HORTUS 100 |
| Christus | |
| Franz Liszt |
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HORTUS 902 |
| Liszt : Via Crucis... | |
Grand orgue Aristide Cavaillé-Coll de l'Eglise Saint-Maurice-de-Bécon de Courbevoie
| Detailed program | ||
| HORTUS 401 | CD DDD ℗ AOCCSMB-Hortus 2015 | T.T. 72'05 | ||
| Eoline, disque 1 | ||
| Franz Liszt (1811-1886) | ||
| 1. | Präludium und Fuge über das Thema B-A-C-H | 12'13 |
| 2. | Evocation à la Chapelle Sixtine | 13'44 |
| 3. | Weinen, Klagen, Sorgen, Zagen | 17'08 |
| 4. | Fantasie und Fuge über den Choral Ad nos, ad salutarem undam | 28'56 |